After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.

Have you ever pondered what happens when beautiful blonde babes get behind closed doors with, say, two or three hunky studs?

An aspiring actor and his girlfriend handle life's frustrations, while his friend seeks fulfillment with a blonde.

The Blonde Bombshell is a British two-part biographical miniseries created by Ted Whitehead, about Diana Diors, an actress and sex symbol considered to be the English counterpart to Marilyn Monroe. Keeley Hawes plays Diors in her formidable years (1945–60), and by Amanda Redman in her further career (1965–84).

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

Ron Ryan is accused of a murder he did not commit. As his family races to prove his innocence, he and a priest aim for redemption.

Twenty years after modern civilization has been destroyed, Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the United States and depend on each other for survival.

After Shogo Ogami’s death in Hiroshima, Detective Shuichi Hioka successfully implemented Shogo Ogami’s plan, which was to control the yakuza to prevent further gang wars and save innocent people from getting harmed. Shuichi Hioka manages the criminal organizations, but, due to one evil person who gets released from prison, the situation drastically changes.

Karen Magikyan is almost 50 years old. He is the head of the family and the father of three daughters. At this age, people do not change. He has long formulated laws and rules by which he lives, and is not going to break anything. It seems to him that for the last 10-15 years he has not changed a bit, he has not aged a bit. Moreover, he considers himself to be quite a modern person, although he has a mobile phone with a black and white screen and no email.This, by the way, is especially annoying to him - why everyone is going crazy about these gadgets, iPads, iPhones. Why is the younger daughter, after returning from school, immediately goes to the Internet, and not kiss her father? To “communicate” is to sit at the table, drink wine and talk, and not stare at the computer screen and spoil your eyes.He does not understand modern relationships. How can a daughter stay overnight when they are not married? And he does not care about the assurances of his wife that "now everyone is doing this." Let everyone do that, but not in his family! He is Caucasian, he has principles!Karen - The Last of the Magikians. And not only because he has three daughters, and an heir at that age is clearly not foreseen. He is a representative of an endangered species of people who have never spoken on Skype, for whom a letter is a paper written in letters in an envelope, and most importantly, who do not bend under a changing world, because “now it’s accepted” and “you live in the 21st century ". Younger viewers should recognize their parents in him, older viewers should recognize themselves in him.

A French actress returns to her Irish roots during the last summer before World War II. While there, she must come to grips with her family and the love of two men. Television adaptation of Kate O'Brien's 1943 novel of the same name.